Queen Victoria

Theme: Palace in Waiting

  • Richard Westall
  • Queen Victoria when a Girl
  • 1830 Oil on canvas
  • Richard Westall was the young Princess’s drawing master. He portrays her seated on the bank of a stream, apparently unaware that she is being watched. The picture shows many of the things she loved: pretty clothes, drawing and painting, the natural world and animals, and particularly dogs – in this case Fanny, her terrier. The world of a Queen seems far away.
  • Sir George Hayter
  • The Coronation of Queen Victoria in Westminster Abbey, 28 June 1838
  • 1839 Oil on Canvas
  • This painting captures the solemn moment after the crowning when the Queen holds the Orb and Sceptre, the people shout "God Save the Queen", and peers and peeresses put on their Coronets. The Queen wrote in her diary "a most beautiful and impressive moment". The artist was advised to show the actual moment of crowning, but the Queen was adamant that she would not be pictured bowing her head to receive the crown. She wanted to be seen as stately and dignified. So the Archbishop of Canterbury, who performed the ceremony, is shown a little way away from her. Which is he – and how can you tell?

    The Prime Minister at the time of Victoria’s coronation was Lord Melbourne. She liked and trusted him – he was almost like the father she had lost. Melbourne stands in the painting holding a sword, his eyes on his young Queen, proud and fond. She wrote that he had been a great comfort to her during the ceremony – he was ‘always at her side’. Can you see him in the picture? The other person looking proud and fond is Victoria’s mother, the Duchess of Kent. Can you see her wearing a crown almost as large as her daughter’s? She’s sitting very near to Lord Melbourne.

    There are children in the painting. Why do you think they were at the coronation? What are they doing in the picture? Are they boys or girls? There is a group on the right of the painting who don’t look very interested in the crowning. They are more interested in the man with the grey hair and hooked nose at the very edge of the picture. He was the Duke of Wellington, a famous soldier. The boys crowd around him as if they are admiring him, almost daring to touch his coronet and gazing at his medals.

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  • Henry Tanworth Wells
  • Victoria Regina: Queen Victoria receiving the news of her Accession
  • 1887 Oil on Canvas
  • This picture is an imaginary version of the words that Victoria wrote in her diary about the occasion: "I was awoke at 6 o’clock by Mamma who told me that the Archbishop of Canterbury and Lord Conyngham were here and wished to see me. I got out of bed and went into my sitting room (only in my dressing gown) and alone, and saw them. Lord Conyngham (the Lord Chamberlain) then acquainted me that my poor Uncle, the King, was no more, and had expired at 12 minutes past 2 this morning and consequently that I am Queen.".

  • John Samuelson Templeton (designer) Wm Templeton, Strand (publisher)
  • The Coronation Procession. Guards saluting Her Majesty. 28 June 1838
  • Published 7 July 1838 Lithograph, hand coloured.
  • There were 64 people present at the Queen’s coronation. There were at least 40,000 outside and thousands more who would like to have been there. Lithography, a relatively new method of printing allowed for the circulation of this kind of popular image so the missing thousands could share in just a tiny part of the celebrations. Hand tinting was expensive, but a cheaper black and white version was eagerly bought to put on the walls of hundreds of British homes.

  • Dowbiggin & Co
  • Queen Victoria’s Throne
  • 1837
  • This is the throne that awaited Victoria when at the age of nineteen, she was crowned Queen of Great Britain. Made of carved gilt wood, the throne chair is upholstered in crimson velvet and lacework. On the top rail is a carved crown and national emblems. The frame is elaborately decorated with oak and acanthus leaves and laurel with berries – all symbols of power, strength and elegance. Queen Victoria’s throne still stands under the glittering chandeliers in the red, white and gold Throne Room at Buckingham Palace. Also among the carvings on the back of the chair are the emblems of Great Britain – roses, thistles and shamrocks.

  • Rundell, Bridge & Rundell, London
  • Frame of Queen Victoria's Imperial State Crown
  •  1838 Gold, silver, silk velvet and ermine
  • crown frame of gold and silver, no longer mounted with stones, the monde missing, with a red velvet cap and ermine band. Created for the coronation of Queen Victoria in 1838. The stones were hired for the occasion and then returned to the Jewel House.

  • British School
  • The Imperial Crown of Great Britain
  • hand-coloured lithograph early-mid 19th century
  • The Imperial Crown of Great Britain Which In Obedience To The Command Of Her Most Sacred Majesty Queen Victoria was expressly made for the solemnity of the Coronation.

    Imperial State crown with blue velvet cap, the Black Prince's ruby, commemorative coins & mace on red velvet & gold-trimmed cushion. English inscrip. Hand coloured.